Identity is gradual, cumulative; because there is no need for it to manifest itself, it shows itself intermittently, the way a star hints at the pulse of its being by means of its flickering light. But at what moment in this oscillation is our true self manifested? In the darkness or the twinkle?
Sergio ChejfecI don't even know - for me, it's difficult to decide which is more important - the things or the thoughts. It seems to me that certain things came up more or less naturally.
Sergio ChejfecFor a long time, we assume we know who we are, until the moment we fully realize who that is; in that moment, identity is no longer predictable, but rather takes the form of a truth that, like any other, can become a sentence with no more than a change of perspective.
Sergio ChejfecWhen I use a name or place, I want to leave the reader open to the waterfall of determinacy that it may provoke. And I don't know, but I must mention the name Borges. I try to mention it in every one of my works. It's a mark, a stamp, a sort of homage to Argentinidad. But it's an homage that works through pat phrases, those stock images that populate his work: the night, labyrinths, libraries. That is, I don't want simply to pay homage to Borges, but rather the contrary: to recall his commonplaces.
Sergio ChejfecIdentity is gradual, cumulative; because there is no need for it to manifest itself, it shows itself intermittently, the way a star hints at the pulse of its being by means of its flickering light. But at what moment in this oscillation is our true self manifested? In the darkness or the twinkle?
Sergio ChejfecI don't read novels that are looking to convince me of anything. I believe that literature needs to be a machine of illusions.
Sergio ChejfecFor me, it's a way to find a fiction within a fiction. To find a way to uncover that blunder within the "lie," because when you look closer, every "lie" - and I say that with quotation marks - can be much more complicated. Because that is what fiction is: it's probably the least important thing in the world. It's rich, but it is put-on, it passes the time. It borrows from the world, but it does not invent it.
Sergio Chejfec