Especially in gangster films, with the gangster's moll - she would always be more or less of an object. And I'm not convinced of this theory. Because I think even gangsters' women have brains. They think and even, as we say, have balls.

The important thing is to make a different world, to make a world that is not now. A real world, a genuine world, but one that allows myth to live. The myth is everything.

When you manage to express something with a look and the music instead of saying it with words or having the character speak, I think it's a more complete work.

I think even in American schools, they must be studying in a specialized manner.

I've seen films that have made as much as $100, $200 million, but they're not films. They're images. They're flashes. They're many beautiful images, lots of things to look at. They capture you. But it's not a film. It's not something that involves you in a story. They go to cinema now to be blown away by the effects.

I don't enter into particulars with [Ennio Morricone]. I give him the feeling and the suggestions of the characters.

It is clear that the vehicle of the western was a very interesting vehicle for me to contraband some of my ideas.