The difference between film and TV, for me, is just that huge thing of knowing that there's a script that is not going to change and you can go really deep into that. With TV, you're just constantly on a high-wire, making sure you don't fall.

I think what's so great about 'Arrow' is that they really ground everything in reality.

Before Fringe I was in Dirty Sexy Money playing Jeremy Darling who was this bratty New York socialite.

Fringe' was the first time I realized that I could ever man up in a character and make this transition from being a boy or a young man into actually being a man.

War films usually so dark or dirty or intense, and sometimes they guide you to feeling a certain way against war, in general. But, to have a film that just speaks honestly to the soldier's experience and isn't jaded and is just authentic and easygoing in its message, I think is really nice to see.

I could have been on a path that led to different, more traditional teen romance, and 'Nip/Tuck' shook me loose from any generalization I might have been forced into. It helped me understand I wanted to take on things that were edgier, more challenging and riskier.

The more you spend time with a character, the more you see different nuances of that character.