The more you spend time with a character, the more you see different nuances of that character.

War films usually so dark or dirty or intense, and sometimes they guide you to feeling a certain way against war, in general. But, to have a film that just speaks honestly to the soldier's experience and isn't jaded and is just authentic and easygoing in its message, I think is really nice to see.

Passion is so contagious. When you're working on a project where people care, on every level, from the key grips to the main writer to the star of the show, you can't help but want to jump on board and create something.

Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.

I've always had the fantasy of doing a boot camp for a military film, at some point. I've always wanted to know what the experience is like, to feel that mounting pressure of going off to war and needing to be so present and physically aware of your body because you ultimately need to fight for your life and for your country.

Before Fringe I was in Dirty Sexy Money playing Jeremy Darling who was this bratty New York socialite.

The difference between film and TV, for me, is just that huge thing of knowing that there's a script that is not going to change and you can go really deep into that. With TV, you're just constantly on a high-wire, making sure you don't fall.