I like to approach comedy from character, to have the stakes for the individuals in the story be very high.

I'm a bit of a hacker fanatic and know a fair bit about that industry and cyber crime and cyber warfare.

I think unintentionally I gravitate towards concepts and topics that hit home or are something real we can all relate to.

People who can't afford their mortgages and have to renegotiate with the bank or something gets repossessed after you worked your whole life. You follow the rules and you do the right thing and you still get screwed. That's what I think a lot of Americans are.

I think that having comedy where people talk the way they really talk, when you talk with your friends and whatever, it's really, it's important. Or else you're making stuff that's a little bit watered down and irrelevant.

I feel like my own background in improv and doing documentaries makes me really comfortable with a situation where you're letting things unfold and you don't have to be a jerk, stomping his feet, trying to get his way on everything.

We're all vulnerable, and it's all hackable. If someone wants you and has targeted you, you can be taken down, and that fact is really scary.