The bottom half of the page had descended into a doodle of a tiny man giving the middle finger to a giant, angry eagle with razor-sharp talons. Beneath it, the caption: To Mock a Killing Bird.
Seth Grahame-SmithMovie characters rarely get to think out loud or talk very much about their emotions. Instead they have to, very briefly, show their feelings through their action or through dialog.
Seth Grahame-SmithSome novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore.
Seth Grahame-SmithโAnd when this intoxication has worn away... when every desire is fulfilled and every language learned- when there are no more distant cities to explore; no classics to be studied; not another coin to be stuffed in to one's coffers- what then? One can have all the comforts of the world, but what use are they if there is no comfort in them?
Seth Grahame-SmithElizabeth, having rather expected to affront him, was amazed at his gallantry; and Darcy had never been so bewitched by any woman as he was by her. He really believed, that were it not for the inferiority of her connections, he should be in some danger of falling in love, and were it not for his considerable skill in the deadly arts, that he should be in danger of being bested by hers--for never had he seen a lady more gifted in the ways of vanquishing the undead.
Seth Grahame-Smith