From a writing standpoint, maybe television is a little more satisfying because it's not all hinging on one thing. You can experiment, week to week, and you can be a little narrower in your scope one week, and then be a little broader the next week. But with film, everything can look the way you want it to look. You can really sculpt the final product. So from a directorial standpoint, film is more satisfying. But, they're both forms of media that I'd like to keep involvement in.

My dad always played Anne Murray in the car on the way to the dump when I was a kid.

There are things about the single lifestyle that are very appealing.

If something sticks around long enough that it makes it to seasonal D.V.D. release, I'll watch it. That's how I watched 'The Sopranos'.

There were two things that became apparent, pretty quickly into the process. One was that the muscles didn't take as much reconditioning as I thought they would. It was more like voice acting than I thought it would be. You're using your whole body and there are things that are different, but when you are doing a character, even in the booth, nobody is watching but my face will do different things when I do different characters.

I do not believe in God. I'm an atheist. I consider myself a critical thinker, and it fascinates me that in the 21st century most people still believe in, as George Carlin puts it, 'the invisible man living in the sky'

I'm from Connecticut, and we don't have any dialects. Well, I don't think we have any dialects, and yeah, it's very complex. That Rhode Island/Massachusetts New England region is arguably the hardest dialect to nail.