I’m very curious in regards to "The Hateful Eight" specifically about the blocking of the movie. Because in comedies, we don’t block. We basically like have to position the actors’ bodies in the way that is most conducive to filming both of them simultaneously.

Years and years of talking and writing versions of the script [Sausage Party] and looking at various versions of the animations - I mean, it's really a lot of workshopping and trying different things, and using the cast to try different voices and characters. And that's the good thing about animation. Because it takes so long, it allows you to explore in a way that you can't in live-action movies.

[I like] Die Hard and Paul Verhoeven movies. S - t like that.

You want to create an environment where we're fostering ideas, not rejecting them.

Good comedy doesn't have to be a comedy idea.

One of the big things that we wanted to do was trying to kick out a car window as you're driving after it's been shattered obstructing your view. I mean, that's - I can't count how many movies I've seen that in, and we just thought, you know, like, it could be funny if it just kind of goes wrong and this foot just kind of punctures through the window and gets stuck.

It's just kind of seemed like a funny way to explore action movies, I guess. I mean, I'm a big fan of them always. It's always people who are very equipped to deal with the situations that they're thrown in. So, the notion just seemed funny, because it's, like, basically stoners are kind of the last guys in the world who are equipped to deal with that. And the humor possibilities just seemed somewhat endless.