We just kind of wanted to play with these iconic moments of action. There's a really small one that always makes me laugh really hard, where there's a big shootout at the end, and the moment my gun runs out of bullets, I turn and there's just another gun sitting there, and I'm, like, oh, nice.

I don't smoke weed on set all day. I just want to say that, you know, not all day. After lunch you get tired. What can you do? To me, the fact that a character smokes weed isn't really what I hang my hat on necessarily.

I did meet Steve Wozniak on several occasions leading up to the filming of the movie. It wasn’t really written how he is. So the second I met him, it almost was a relief, because I was like, "OK, good, the real Steve Wozniak is like one of the least confrontational people you would ever meet in your entire life."

Sometimes what you lose in the time it takes to let an actor do something that you don't like as a director, you gain in not shutting them down creatively by telling them their idea sucks.

I knew I just loved comedy, and I think it was my parents who initially brought up the notion of me trying to do stand-up. I think I actually tried writing jokes just at home, just kind of sitting around. But it seemed like a very real way to step into the world of comedy. I felt I could do it, so why not?

I don't make the best movies in the world, but at times, I do feel like I'm adding something to the cinematic community.

I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.