In the end, the gesture of painting becomes almost meditative, like a ritual.

I think context, location matters a lot. Because location obviously in my situation, it's the space in which the work is going to be exhibited. And since some of the work I do is created onsite, it requires a different type of space, versus the smaller drawings or more subject-oriented work. So that the context becomes important.

Talking with other artists is an incredible process. You engage with the work very differently...a nd different relationships between different works start to emerge. To tap into that energy-to tap into that moment-is great for me as an exercise.

Art, for me, has always been a ticket for experience.

Initially I explored the tension between illustration and fine art when I first encountered miniature painting in my late teens. Championing the formal aspects of the Indo-Persian miniature-painting genre has often been at the core of my practice.

In the end, the gesture of painting becomes almost meditative, like a ritual.

I'm interested in taking a form, breaking it apart, and then rebuilding it. It is about transformation for me...it is a very core notion that stabilizes my practice.