Initially I explored the tension between illustration and fine art when I first encountered miniature painting in my late teens. Championing the formal aspects of the Indo-Persian miniature-painting genre has often been at the core of my practice.

Talking with other artists is an incredible process. You engage with the work very differently...a nd different relationships between different works start to emerge. To tap into that energy-to tap into that moment-is great for me as an exercise.

For me, drawing is a way of navigating the imagination and it remains the fundamental vehicle of my practice. Drawing allows me to be at my most inventive.

In the end, the gesture of painting becomes almost meditative, like a ritual.

Initially I explored the tension between illustration and fine art when I first encountered miniature painting in my late teens. Championing the formal aspects of the Indo-Persian miniature-painting genre has often been at the core of my practice.

I'm interested in taking a form, breaking it apart, and then rebuilding it. It is about transformation for me...it is a very core notion that stabilizes my practice.

Art, for me, has always been a ticket for experience.