The notion that the great artist requires a great patron has been around since the Pharaohs. That the born patron also needs an artist to patronize is a less-studied phenomenon.

Roughly speaking, the President of the United States knows what his job is. Constitution and custom spell it out, for him as well as for us. His wife has no such luck. The First Lady has no rules; rather each new woman must make her own.

A plane is a bad place for an all-out sleep, but a good place to begin rest and recovery from the trip to the faraway places you've been, a decompression chamber between Here and There. Though a plane is not the ideal place really to think, to reassess or reevaluate things, it is a great place to have the illusion of doing so, and often the illusion will suffice.

The Federal Building's large Ceremonial Courtroom, reserved for show trials, is veneered in executive teak. Bench, counsel tables, jury boxes, entrances, and exits -- all are as formally arranged as an Elizabethan stage. Only the drama is shapeless, at least to those of us who have never seen a trial before. We see only random movements, sequences, comings and goings, no form or agenda apparent. To us the action is less like watching a play than watching an aquarium.

A handwritten, personal letter has become a genuine modern-day luxury, like a child's pony ride.

The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?

The sad truth is that excellence makes people nervous.