The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?

In a nation of celebrity worshipers, amid followers of the cult of personality, individual modesty becomes a heroic quality. I find heroism in the acceptance of anonymity, in the studied resistance to the normal American tropism toward the limelight.

Americans ought to be the best-traveled, most cosmopolitan people on earth, not only because experience of the world is desirable in its own right, but because as a people acquires a great concentration of power, worldliness becomes a moral imperative.

Huge herds of vigorous, curious, open-eyed Americans freely roaming the world are, it seems to me, quite possibly a vital national resource today as at no other time in our history.

Ours was the Togetherness Generation. We equated togetherness with salvation, and expected so much from it that it was bound to let us down. Companionship, security, lifelong physical and spiritual and emotional warmth - all were to be had for the twist of a ring and the breathing of a vow. And to be had no other way.

Roughly speaking, the President of the United States knows what his job is. Constitution and custom spell it out, for him as well as for us. His wife has no such luck. The First Lady has no rules; rather each new woman must make her own.

The notion that the great artist requires a great patron has been around since the Pharaohs. That the born patron also needs an artist to patronize is a less-studied phenomenon.