I love the idea of a super villain that doesn't wear a cape, that doesn't wear a super suit.

I think it's an obligation to make a movie full, so you have to see it twice to get all the moments.

I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.

Once I started selling scripts for a great deal of money - action scripts, no less, which people tend to pooh-pooh anyway - then I started to get some backlash. Which I didn't mind.

People would say, "Well yeah, if I wrote action films, if I wrote the trash that you write, I could make millions too. But I want to write my real movie about these Guatemalan immigrants, and how they hid under a truck for 300 miles." And that's fine. I'd love to make that film too, but to dismiss everything I did just because it's action seems wrong.

What I've learned being a writer is to just basically not buckle - not be belligerent, not be angry, not throw fits. Though there are times where you have to stand up and yell. If I've got to throw a chair, I'll throw a chair. There was a meekness about me when I started, and I think the meekness has sort of evaporated. I hope that it's left behind a more passionate person, not a meaner person. So I guess that's what I've learned.

I wanted out of the spotlight, so I subtracted myself for a few years. I just tried to do a couple producing projects. Of course, the problem is, in getting out of the spotlight to feel safe and invisible again, I overcompensated and went too far into the darkness. And now I come back and go, "Wait, I didn't mean to go that invisible. Hey, come on, I'm here, I want my voice to be heard."