Capitol Records were very keen for me to write and see how I got on; I think that is what defined my sound. The first session I had was with two young up-and-coming writers, Nick Atkinson and Tom Wilding, and I went into a session a bit nervous because I hadn't written that many songs before.

I'm more of a debit card person, and I live in the 'now'. I don't like credit cards anymore. I try to live with whatever I can afford and don't try to put myself in an awkward position. I've done that before.

I will definitely start in small venues, as I want to find my feet as a performer; the first shows that Westlife did was ten dates at Wembley, which was just crazy. We didn't have a clue what we were doing because it was so big.

When you realise that money doesn't actually make you happy, it's a quick fix to have things you've always wanted, but then when you have it, you realise that's not what actually makes you happy. It's more about having a great marriage and happy children; that's what life's all about.

When you look at bands like Take That, who have come back bigger than ever, you can see there will always be a market for good pop bands.

The adrenaline of performing on stage to a crowd - there's nothing like it.

For Westlife, the music will never stop as long as our fans are around inspiring us to keep on making beautiful music together.