You have to be dynamic. You have to be able to change. So a lot of times we'll go to a country or go meet people, and then while we're there, the story changes and you have to be able to go with that. And then the story comes out in the editing room, which is a very documentary sort of process - not how news works. So that's different.

I came to America from Canada because Canada is stultifyingly boring and incredibly hypocritical.

I'm addicted to when people are bringing you around their country, telling you their stories. They become so enthusiastic, so passionate.

My life, like most people's, has been negatively affected by cancer, and the thought of my young children living in an age where this is no longer humanity's No. 1 health fear was simply overpowering.

Every generation has a changing of the guard in media. We do the same stuff that everybody else does, but we just do it differently. We do our content online differently. We do our magazines differently. We do our TV differently. We never had anyone tell us how to do magazines, so we just developed it in a different way.

If you go to Jamaica, you're going to these all-inclusive resorts where they're playing calypso and a bit of reggae or whatever. But if you go to Kingston, it's run-and-gun battles in the streets, it's abject poverty, it's incredible violence - and then also the best parties in the world. But if you're white, you can't really go. I'd rather know the real deal than be playing in the sand.

I don't care if I die - look, I'm old - but you want your kids to have good times and a good life. I became sort of aware. I used to get so angry.