When you play music, you don't need a language. Music is a language.

It takes one second to ruin a woman's life.

I feel that for the first time in a long time, educated Pakistanis are returning to their country to start up educational projects, to start up businesses, so instead of the brain-drain that happened in the 1950s and 1960s, the country is growing and improving economically.

My advice to other female directors would be to pay no heed to naysayers. Women can be united in the fact that there has always been someone in our lives who has told us "it can't be done" or "there is only so much you can do." We are constantly encouraged to think that being born a woman means we were born with limited choices and compromised dreams.

Working in any country where you want to talk about the kind of issues that other people don't want to talk about is difficult.

My films are motivated by a keen interest in highlighting issues that affect marginalized populations who are caught in difficult circumstances.

I want people to leave the theater with a greater understanding of the rich cultural heritage of Pakistan. "Song of Lahore" moves beyond headlines and stereotypes and shows that a vast majority of Pakistanis are not perpetrators of religious violence - they are victims of it. The beautiful cultural heritage of the region belies its image in the West as monolithically religious, intolerant, and violent.