It's often said that I choose subjects that are sensational! I choose to film subjects that spark difficult conversations and make people uncomfortable. Change only comes about when people are forced to discuss an issue, and that's what I hope my films do.

What good is my parents' wealth and education and upbringing if I'm not contributing to the world?

My advice to other female directors would be to pay no heed to naysayers. Women can be united in the fact that there has always been someone in our lives who has told us "it can't be done" or "there is only so much you can do." We are constantly encouraged to think that being born a woman means we were born with limited choices and compromised dreams.

I became a documentary filmmaker because I wanted to make socially conscious films. I never studied filmmaking - everything I have learned has been on the field.

Where I grew up in Pakistan, it's really the luck of the draw. My mother got married when she was 17. She never went to college but she wanted each and every one of us to go to college and then work. She was relentless about it. And i think that part of who i am is shaped by her strength. If [girls] families support them, they can achieve their dreams

All the women in Pakistan working for change, don't give up on your dreams, this is for you.

The young boys I speak with say to me: Why would I want to live in this world - where they rely on charity, dry pieces of bread and water, where they are subjected to harsh treatment, when they can be free and be the envy of their colleagues in the afterlife. They are only too eager to sign on the dotted line and join the ranks of the Taliban.