We don't know the effects we have on each other, but we have them.

We don't know the effects we have on each other, but we have them.

I feel like one can have all of that as a writer; you're writing, you're reading, you're talking to interesting and intelligent people. Your life is structured around whatever book you're writing, and so is your reading and so are many of your conversations.

There are times when things are clear in your head and your heart and everything comes all aligned and it's easy and it just feels good to do something. But most of the time it's not like that. Most of the time there's conflict between your head and your heart.

Sometimes you do have people who are great at curating; sometimes you have people curating who don't know what they're do.

In the transcribing and the editing, you want some retention of how the person speaks - you don't want to edit out all of the hesitations and idiosyncrasies. And to get people to say something they've never said before. That's big.

I studied art history and philosophy and took economics and political science classes. I just took whatever I wanted and I didn't worry about grades and I read and learned a lot, and I didn't have much of a social life, so it was deeply absorbing.