I spend most of my time in my head. You can always work out solutions and satisfactions there. Maybe you can't actually bring them about, but there's usually a pleasant pillow of time between imagining you can, and realizing you cannot.

It has long been known to me that certain objects want you as much as you want them. These are the ones that become important, the objects that you hold dear. The others fade from your life entirely. You wanted them, but they did not want you in return.

You have to know where the funny is, and if you know where the funny is, you know everything.

There are times when things are clear in your head and your heart and everything comes all aligned and it's easy and it just feels good to do something. But most of the time it's not like that. Most of the time there's conflict between your head and your heart.

When I was in high school, and even to a degree while I was in university, I wasn't on the Internet. So it's not as embedded in my soul, that kind of way of being.

When I'm editing, I try to bring out some dramatic structure. I think it is about theater in some way; it is a little play.

Sometimes you do have people who are great at curating; sometimes you have people curating who don't know what they're do.