My mother is my last point of security in relation to my past, and if that breaks, I will not ever have that type of pure love or pure attachment.

The idea of feeling displaced, and never feeling safe anywhere in the world, where you always feel like you're safer if you're over there, is not just my experience. If you went to Iran today or an Iranian came to America today, or the fact that there are bombs exploding everywhere, there's just a tremendous sense of fear and feeling a desire for security.

Every Iranian artist, in one form or another, is political. Politics have defined our lives.

You're faced with creation, you're faced with something very mysterious and very mystical, whether it's looking at the ocean or being alone in a forest, or sometimes looking at the stars. There's really something very powerful about nature that's endlessly mysterious and a reminder of our humanity, our mortality, of more existential things that we usually manage to not get involved with very often because of daily activity.

I'm really interested in social justice, and if an artist has a certain power of being heard and voicing something important, it's right to do it. It could still be done in such a way that it's not aggressive or overly didactic. I'm trying to find that form.

Art is our weapon. Culture is a form of resistance.

Poets use metaphors and symbolism to construct images. I construct my images in the same way, except that I am using a different form.