Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin LimI had to do the academic writing. At a top research university, publishing of a certain kind is very important. So your friend is right. You can't do three things well.
Shirley Geok-lin LimWhen I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin LimI'm not sure why my muse is female, except when I am deliberately playing against that figure.
Shirley Geok-lin LimI'm much more comfortable in pants and shirts, running around. There was a typical construction about womanhood when I was growing up that I rejected.
Shirley Geok-lin LimI don't like crows. In the poem "C," crows are predatory, killing other birds and so forth. But in my morning walks, there were always crows, particularly at certain times of the year. And they're very aggressive, very visible and loud. They're not at all likable, but they have to be dealt with. They are part of the picture, the art in the morning. You cannot deny their reality.
Shirley Geok-lin Lim