"I want to be always happy," Maxine Hong Kingston announces . But, as this interview makes clear, for me, it was the desire to write poetry that kept me discontented, if not depressed and unhappy, through what many casual biographers have characterized as successful and productive decades.
Shirley Geok-lin LimI have a muse who's very powerful, but I'm still a hopeless deadbeat of a poet.
Shirley Geok-lin LimI'm nomadic. Even when I'm a visiting professor here at the City University of Hong Kong, in this campus flat, I'm constantly getting up, sitting down, picking this or that up. You can't do that and be a writer. You need to be able to sit still.
Shirley Geok-lin LimThe poem is not a physical body. It's a textual body that has life only insofar as it can act symbolically. It cannot physically act.
Shirley Geok-lin Lim[Irony] has everything to do with what Tillie Olsen so powerfully imagined in her short story, "As I Stand Here Ironing" and elaborates on polemically in her 1978 book, Silences, in a chapter first delivered as a talk in 1967. As Olsen clearly saw it for women, my not being a writer was a material consequence of my being a woman - a wife, mother, housewife, and a certain kind of feminist teacher - attentive, one-on-one, face-to-face, nurturing, the kind who receives high ESCI evaluation scores from undergraduates and graduate students.
Shirley Geok-lin Lim