It was one of those winter days that suddenly dream of spring, when the sky is blue and soft and clear, and the wind has dropped its voice and whispers instead of screaming, and the sun is out and the trees look surprised, and over everything there is the faintest, palest tint of green.

Fate intervened. Some of us, that day, she led inexorably through the gates of death. Some of us, innocent and unsuspecting, took, unwillingly, that one last step to oblivion. Some of us took very little sugar.

February, when the days of winter seem endless and no amount of wistful recollecting can bring back any air of summer.

Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books.

All cat stories start with this statement: "My mother, who was the first cat, told me this...

[L]et my reader who is puzzled by my awkward explanations close his eyes for no more than two minutes, and see if he does not find himself suddenly not a compact human being at all, but only a consciousness on a sea of sound and touch . . .

I cannot find any patience for those people who believe that you start writing when you sit down at your desk and pick up your pen and finish writing when you put down your pen again; a writer is always writing, seeing everything through a thin mist of words, fitting swift little descriptions to everything he sees, always noticing. Just as I believe that a painter cannot sit down to his morning coffee without noticing what color it is, so a writer cannot see an odd little gesture without putting a verbal description to it, and ought never to let a moment go by undescribed.