On the moon we wore feathers in our hair, and rubies on our hands. On the moon we had gold spoons.

I very much dislike writing about myself or my work, and when pressed for autobiographical material can only give a bare chronological outline which contains no pertinent facts.

It was one of those winter days that suddenly dream of spring, when the sky is blue and soft and clear, and the wind has dropped its voice and whispers instead of screaming, and the sun is out and the trees look surprised, and over everything there is the faintest, palest tint of green.

In ten years I will be a beautiful charming lovely lady writer without any husband or children but lots of lovers and everyone will read the books I write and want to marry me but I will never marry any of them. I will have lots of money and jewels too.

On the moon we have everything. Lettuce, and pumpkin pie and Amanita phalloides. We have cat-furred plants and horses dancing with their wings. All the locks are solid and tight, and there are no ghosts.

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books.