Obviously I think it's really important to look back at your history, and that's why I think things like Pride are important. It's not necessarily about your experience of life, it's not about whether you find it difficult to be gay; it's about the fact that people have fought over hundreds of years for this to be okay, and also that there are many countries in the world where it's still not, and it's very dangerous to be gay.

I would feel really dishonest writing a song that was really sassy, or really confident, because I'm not a supremely confident being. I think that's what people find interesting about what I do; it's very different lyrically.

One of the amazing things about pop is that it's there to make people feel confident and empowered.

Your debut record, in terms of lyrical content, can be about the last couple of years of your life obviously, but your first record into the world is also about everything else that you've ever experienced in your life until that moment.

To a lot of people, my job is really fancy, so they're like, "Oh, whoah, you're a musician, wow!" Some people go to you, "Oh my god, you're a journalist!" And some people go, "What, you're a therapist? That's incredible!" So everyone, to a certain extent, has other people that you get impressed by, without even having a proper conversation or getting to know them. You're just like, "Oohhh, they're a bit fancy!"

The fact that I can ever be open about my being gay is amazing! It's great that I don't have to hide it, but also it would be really nice if, in twenty years, it's not even a thing.

It's different obviously with a song when you're talking about narrative, you're talking about the verse leading into the chorus or whatever it is, but you have to have a sensibility of how something would flow either way.