To a lot of people, my job is really fancy, so they're like, "Oh, whoah, you're a musician, wow!" Some people go to you, "Oh my god, you're a journalist!" And some people go, "What, you're a therapist? That's incredible!" So everyone, to a certain extent, has other people that you get impressed by, without even having a proper conversation or getting to know them. You're just like, "Oohhh, they're a bit fancy!"

One of the amazing things about pop is that it's there to make people feel confident and empowered.

The fact that I can ever be open about my being gay is amazing! It's great that I don't have to hide it, but also it would be really nice if, in twenty years, it's not even a thing.

A recording of a moment in time, where I was physically there, and it's now in a song for all eternity, in a way. It's really weird. I had written the song, but I'm also physically there in a way I'm physically inside the song, because I've recorded something that's in there.

Your debut record, in terms of lyrical content, can be about the last couple of years of your life obviously, but your first record into the world is also about everything else that you've ever experienced in your life until that moment.

Obviously I think it's really important to look back at your history, and that's why I think things like Pride are important. It's not necessarily about your experience of life, it's not about whether you find it difficult to be gay; it's about the fact that people have fought over hundreds of years for this to be okay, and also that there are many countries in the world where it's still not, and it's very dangerous to be gay.

I really want to continue what I've already started with found sounds, but start borrowing from my past as well, so that it really spans me growing up.