I really want to continue what I've already started with found sounds, but start borrowing from my past as well, so that it really spans me growing up.

To a lot of people, my job is really fancy, so they're like, "Oh, whoah, you're a musician, wow!" Some people go to you, "Oh my god, you're a journalist!" And some people go, "What, you're a therapist? That's incredible!" So everyone, to a certain extent, has other people that you get impressed by, without even having a proper conversation or getting to know them. You're just like, "Oohhh, they're a bit fancy!"

A recording of a moment in time, where I was physically there, and it's now in a song for all eternity, in a way. It's really weird. I had written the song, but I'm also physically there in a way I'm physically inside the song, because I've recorded something that's in there.

I would feel really dishonest writing a song that was really sassy, or really confident, because I'm not a supremely confident being. I think that's what people find interesting about what I do; it's very different lyrically.

Your debut record, in terms of lyrical content, can be about the last couple of years of your life obviously, but your first record into the world is also about everything else that you've ever experienced in your life until that moment.

People think I'm cool - it's a virtue of my job! In real life I'm absolutely not cool, but I think if you have the courage of your convictions, and you're confident in yourself, people will maybe think that you are even if you're really a massive dork. Everyone has a different job where, to someone else, your job is really fancy!

One of the amazing things about pop is that it's there to make people feel confident and empowered.