I couldn't adjust to the racism in Florida.
I sometimes like the pictures photographers take of me.
I had two roles for which I compromised.
I was not the kind of a principal player that was so in demand that eight or 10 or 12 scripts came per month.
My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
I'd seen my father. He was a poor man, and I watched him do astonishing things.