What interests me is the unforeseeable.

When I was young, I was interested in Renaissance art.

It's the procedures in and for themselves that interest me. The picture isn't really necessary.

I don't see a big difference between painting and photography. Moreover, such distinctions mean nothing to me.

I began drawing as a very young child and had a grandfather who experimented with photography, so those things constituted my first exposure to art.

Yes, my works... are enshrined in museums, but I don't care if the pieces fall apart in 20 years.

There has to be an element of risk-taking for me in my work.