What interests me is the unforeseeable.
I don't see a big difference between painting and photography. Moreover, such distinctions mean nothing to me.
I began drawing as a very young child and had a grandfather who experimented with photography, so those things constituted my first exposure to art.
A negative is never finished.
There has to be an element of risk-taking for me in my work.
Yes, my works... are enshrined in museums, but I don't care if the pieces fall apart in 20 years.