When I was young, I was interested in Renaissance art.

It's the procedures in and for themselves that interest me. The picture isn't really necessary.

When I was young, I was interested in Renaissance art.

There has to be an element of risk-taking for me in my work.

I began drawing as a very young child and had a grandfather who experimented with photography, so those things constituted my first exposure to art.

Picabia is a very old painter who some people try to connect me to, but I refuse such comparisons very well.

A negative is never finished.