I actually have a long apology letter from Robert Brustein, saying, "I'm so sorry this happened to you. I didn't realize the people who were running the acting department at the drama school hated actors." They did. And they were fired when I graduated.

I think I have always tried to do the smaller films. I like to jump around and there is something really nice for acting in a smaller film... But I think now, Hollywood's movies certainly involve a younger generation for the most part and so... I love going back and forth.

I think breathing is actually the key to a lot of opening up of other parts of yourself that you haven't used, for any job, but particularly in acting.

As long as your robot isn't programmed by like Dr. Evil, I think you're going to be fine.

It's rather rare when you play an older character in a movie in a supporting role to even get an arc.

My husband is from Hawaii and his father who was also born in Hawaii was a teenager when Pearl Harbor happened, right before church and he ran up and got on the roof of his grandfather's house and watched the planes go over.

I've been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.