I have always been uncomfortable with a series of movies. I hate that word 'franchise' - it always makes me think of French fries. What I felt each time was that we were going for broke, that this was going to be the last in the series. You can't count on anything.

I wouldn't recommend it, because art school is a funny business. Yes, if you can find a situation where they'll give you money to live at the school and do whatever you want and pay for all your materials, if you're a painter or maybe a filmmaker, do it. But acting should be the most fun thing in the world; you're surrounded by other people who are as obsessed with Anton Chekhov as you are.

I guess it's a pretty common experience while making a movie. You have to let go of the result and just hang on to the experience and the process, where each role takes you to a different country, as it were: You're shipwrecked on this new island, you have no clothes, you have to figure out how you're going to live in this new character. All of that turns me on.

I love working with young people and young filmmakers, and I love working on first films. I think it's cool. It's fun. I just take it as it comes.

Some of the most intense affairs are between actors and characters. There's a fire in the human heart and we jump into it with the same obsession as we have with our lovers.

I still am in touch with several friends from high school. I don't go to reunions much. I'm afraid that if I go back to the school, they'll suddenly go, 'You know what? We've checked the records and you still have one more French class. Get back in here.'

I am a person who goes out without a purse. I put things in my coat pockets, so I don't have any accessories.