I mean I'm talking about playing games, about imagining other people, and it's part of the way that it helps you actually see the world.

As far as I'm concerned all theatre is physical. As Aristotle says, you know, theatre is an act and an action, and he didn't mean just the writing of it, he meant that at the centre of any piece there is an action, a physical action.

The only reality of the theater exists in the mind of the audience. That audience looks collectively at what is going on on the stage and collectively imagines that this is real.

I mean I'm talking about playing games, about imagining other people, and it's part of the way that it helps you actually see the world.

Ultimately, theatre takes place in the minds of the audience: they all imagine the same thing at the same time.

Any fifth language that you use should be equally used as just another bit of theater language, so that if you have a strong text, then the light should be as strongly part of that text as, for example, the sound it should be or whatever it is that you see.

Yes it was chaos, working through chaos, you never quite knew what you were going to do each day, but you knew that you wanted to make something.