When you're a student and you just want some money to feel like you're an adult, you'll pretty much do anything within reason.

We realised that it was important to embrace this popcorn logic, that it works, that it's funnier when you fire 20 rounds from one tiny pistol. Then it becomes the joke, it's funnier when you pay less attention.

I mean, yeah, I'm sure that Python and the other things have paved the way for a greater understanding of the British sense of humor, but I don't think it's all that different than the American sense of humor.

Ultimately, we are all products of the experiences we have and the decisions we make as children, and it remains a peculiar detail of human condition that something as precious as the future is entrusted to us when we possess so little foresight. Perhaps that's what makes hindsight so intriguing. When you're young the future is a blank canvas, but looking back you are always able to see the big picture.

I love my job very much, and I don't think I would change it. In fact, I know I wouldn't, because I can't do anything else.

There seems to be this tendency toward denigrating romantic comedies as of late because it becomes something sort of cheesy or whatever. Whereas this embraced what it was. As a fan of When Harry Met Sally or Annie Hall, as a demonstration of what romantic comedy could be and should be, I immediately phoned Nira back and said, "Yeah, I'd like to do this. It'll be fun."

It's why I get miffed at all the dashing around in recent zombie films. It completely misses the point; transforms the threat to a straightforward physical danger from the zombies themselves, rather than our own inability to avoid them and these films are about us, not them. There's far more meat on the bones of the latter, far more juicy interpretation to get our teeth into. The first zombie is by comparison thin and one dimensional and ironically, it is down to all the exercise.