People are funny in like young adulthood, just like how people's musical tastes are cool, but it changes very rapidly. In five or ten years, I'll probably still be confident about what's funny but it probably won't be funny anymore.

I wanted to be an artist after all, and my teachers told me these were the best authors the 20th century had to offer. But these books sucked. They were so boring and sloppy and plotless. And Bob Dylan's lyrics seemed nonsensical to me - almost like he had just gotten high and written down whatever random thoughts occurred to him.

It's easier to be a grownup than to be a kid. When you're a kid, you lie constantly and people are always calling you on it. And when you're a grownup, you lie constantly and people rarely do. Children are constantly being caught. Adults rarely so. Being an adult, you also get a free pass, which means you have to actively be a good person because nobody's around to tell you to do that. Even evil kids will be good when adults are watching. But once you're an adult, no one is. As a grownup, you've got an agency over your own life, which hopefully you use for the greater good and not evil.

I never really liked "cool" books. I plowed through as much Borges and Joyce as possible, read the first half of V. and spent whole Bar Mitzvah checks on Beat poetry.

I was never a cool person; in fact, cool people have always made fun of me. That’s why I loved [the Robert Cormier YA novel] The Chocolate War - because the cool kids (not the establishment) were the villains. I totally identified with that.

People are funny in like young adulthood, just like how people's musical tastes are cool, but it changes very rapidly. In five or ten years, I'll probably still be confident about what's funny but it probably won't be funny anymore.

"It's not just about Jen," he said. "It's about the entire romantic system. Ninety-nine percent of men are in love with the top one percent of women. And yet they often refuse to date us. It's a complete injustice.