By the time I got to college I had stopped reading books because I wanted to "be cool" and started reading books simply because I wanted to read them. I discovered heroes like Roth, King, Dahl, Shirley Jackson, Patricia Highsmith, TC Boyle, Douglas Adams, Neil Gaiman, David Sedaris. These people weren't trying to "rebel against the literary establishment." They were trying to write great, high-quality books that were as entertaining and moving as possible.
Simon RichPeople are funny in like young adulthood, just like how people's musical tastes are cool, but it changes very rapidly. In five or ten years, I'll probably still be confident about what's funny but it probably won't be funny anymore.
Simon RichI never really liked "cool" books. I plowed through as much Borges and Joyce as possible, read the first half of V. and spent whole Bar Mitzvah checks on Beat poetry.
Simon RichI wanted to be an artist after all, and my teachers told me these were the best authors the 20th century had to offer. But these books sucked. They were so boring and sloppy and plotless. And Bob Dylan's lyrics seemed nonsensical to me - almost like he had just gotten high and written down whatever random thoughts occurred to him.
Simon RichI was never a cool person; in fact, cool people have always made fun of me. Thatโs why I loved [the Robert Cormier YA novel] The Chocolate War - because the cool kids (not the establishment) were the villains. I totally identified with that.
Simon RichIโm too young and ridiculous a person to speak for my generation, but Iโd be happy to talk about my own experiences as a generation Y writer. I was raised by a generation of hippies. Throughout my childhood, teachers urged me to fight the establishment. My English teacher assigned Ginsberg and Kerouac and declared Bob Dylan โa genius.โ My science teacher told me that television was โthe new opiate of the massesโ and bragged about never having owned one. My drama teacher made us perform Beckett.
Simon Rich