Well, it's not full time - my dancers are only paid for six months of the year in two three-month blocks; but yes, it is possible we could do it in another year.

It's not just for its influence on us, but to knowknow that we can play a part in it, to understand the influence that we have outside our own existence.

Yes - it's the same in any other work - the more you massage your thinking the more capable I believe you are of expanding how you go about things and learning.

On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb.

If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.

Well, it's not full time - my dancers are only paid for six months of the year in two three-month blocks; but yes, it is possible we could do it in another year.

There's a mass of places, really, where the idea started.