One of our problems is our sense of discipline - dancers have an extraordinary sense of self-discipline.

There's a mass of places, really, where the idea started.

We could ask artists from abroad to come in too, so that there could be a mixing and matching of skills from Europe, America and here which would widen our world.

Then I came in twice a week - for my own enjoyment as well as to be a guide. And then we started to apply some of the splinters of the ideas back into the piece.

Well, it's not full time - my dancers are only paid for six months of the year in two three-month blocks; but yes, it is possible we could do it in another year.

It's not just for its influence on us, but to knowknow that we can play a part in it, to understand the influence that we have outside our own existence.

If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.