One of our problems is our sense of discipline - dancers have an extraordinary sense of self-discipline.

Then I came in twice a week - for my own enjoyment as well as to be a guide. And then we started to apply some of the splinters of the ideas back into the piece.

On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb.

The dance world is too small in lots of ways - it's too intense, it rattles around itself, and it needs exposing to other ideas.

If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.

We need to think on a broader plane, we need to do more than we're doing.

Yes - it's the same in any other work - the more you massage your thinking the more capable I believe you are of expanding how you go about things and learning.