Then I came in twice a week - for my own enjoyment as well as to be a guide. And then we started to apply some of the splinters of the ideas back into the piece.

Then I came in twice a week - for my own enjoyment as well as to be a guide. And then we started to apply some of the splinters of the ideas back into the piece.

There's a mass of places, really, where the idea started.

On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb.

The dance world is too small in lots of ways - it's too intense, it rattles around itself, and it needs exposing to other ideas.

Yes - it's the same in any other work - the more you massage your thinking the more capable I believe you are of expanding how you go about things and learning.

We could ask artists from abroad to come in too, so that there could be a mixing and matching of skills from Europe, America and here which would widen our world.