I've watched the demise of the Hollywood orchestra, the house orchestras of the big studios.

I also work with the regular orchestras in Munich, Germany and other similar orchestras.

While there used to be one or two Pops orchestras, now there are all kinds of European orchestras that suddenly look upon this as a golden wand that can enable them to make money recording this music.

Symphonic orchestras have almost become a glut in the market.

I recorded with Sinatra, but the recording business is a very strange strata right now.

And then I went into television; and then television moved from the East Coast to Hollywood.

I listen to everything, I listen to all artists that come along.