I started off as a studio pianist in Hollywood.
Then I went to radio with Sinatra and I watched that disappear.
And then I went into television; and then television moved from the East Coast to Hollywood.
While there used to be one or two Pops orchestras, now there are all kinds of European orchestras that suddenly look upon this as a golden wand that can enable them to make money recording this music.
I think my favorite experience is whatever I'm doing now.
I also work with the regular orchestras in Munich, Germany and other similar orchestras.