Well, I worked with lots of different artists, of course.

I recorded with Sinatra, but the recording business is a very strange strata right now.

I also work with the regular orchestras in Munich, Germany and other similar orchestras.

I think my favorite experience is whatever I'm doing now.

You can tell by the applause: There's perfunctory applause, there's light applause, and then there's real applause. When it's right, applause sounds like vanilla ice cream with chocolate sauce.

Well, I worked with lots of different artists, of course.

I've watched the demise of the Hollywood orchestra, the house orchestras of the big studios.