Then I went to radio with Sinatra and I watched that disappear.

I think my favorite experience is whatever I'm doing now.

I worked with practically everybody in the business in all of the years in NBC, but I worked personally many years with people like Crosby and Sinatra, so of course that was a great ground school for me.

I listen to everything.

I started off as a studio pianist in Hollywood.

I recorded with Sinatra, but the recording business is a very strange strata right now.

While there used to be one or two Pops orchestras, now there are all kinds of European orchestras that suddenly look upon this as a golden wand that can enable them to make money recording this music.