Come on. I don't have any problem violating my own insights in practice.

I am what you might call abstractly anti-capitalist. For instance, I am suspicious of the old leftists who focus all their hatred on the United States. What about Chinese neo-colonialism? Why are the left silent about that? When I say this, it annoys them, of course. Good!

The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.

If you have reasons to love someone, you don’t love them.

For the multiculturalist, white Anglo-Saxon Protestants are prohibited, Italians and Irish get a little respect, blacks are good, native Americans are even better. The further away we go, the more they deserve respect. This is a kind of inverted, patronising respect that puts everyone at a distance.

A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»

In Stalinism the tragedy is that its origin is some kind of radical emancipatory project. In the origins you had a kind of workers' uprising; the true enigma is how this project of emancipation went so wrong.