This, then, is the truth of the discourse of universal human rights: the Wall separating those covered by the umbrella of Human Rights and those excluded from its protective cover. Any reference to universal human rights as an 'unfinished project' to be gradually extended to all people is here a vain ideological chimera - and, faced with this prospect, do we, in the West, have any right to condemn the excluded when they use any means, inclusive of terror, to fight their exclusion?

The ultimate goal of radical politics is gradually to displace the limit of social exclusions, empowering the excluded agents (sexual and ethnic minorities) by creating marginal spaces in which they can articulate and question their identity. Radical politics thus becomes an endless mocking parody and provocation, a gradual process of reidentification in which there are not final victories and ultimate demarcations

We feel free because we lack the very language to articulate our unfreedom.

The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.

In Fascism, if you were a Jew, you were simply killed. Nobody had the idea of arresting Jews and torturing them to confess the Jewish plot. Because in Fascism, you are guilty for your whole being.

Global capitalism is simply accepted as a fact that you cannot do anything about. The only question is, Will you accommodate yourself to it, or will you be dismissed and excluded?

True universalists are not those who preach global tolerance of differences and all-encompassing unity, but those who engage in a passionate struggle for the assertion of the Truth which compels them.