The ultimate goal of radical politics is gradually to displace the limit of social exclusions, empowering the excluded agents (sexual and ethnic minorities) by creating marginal spaces in which they can articulate and question their identity. Radical politics thus becomes an endless mocking parody and provocation, a gradual process of reidentification in which there are not final victories and ultimate demarcations

What interests me is the following paradox: of how, precisely in our liberal societies, where no one can even imagine a transcendental cause for which to die, we are allowed to adopt a hedonistic, utilitarian, or even more spiritually egotistical stance - like, the goal of my life is the realization of all my potential, fulfillment of my innermost desires, whatever you want.

A typical guy who buys organic food doesn't really buy it in order to be healthy; he buys it to regain a kind of solidarity as the one who really cares about nature. He buys a certain ideological stance.

For me, Stalinism was even a greater philosophical problem than Nazism. Under Nazism, if you were a Jew, you were simply killed, no questions asked, you had nothing to prove. Under Stalinism, of course, most [victims] were on trial for false accusations; most of them were not traitors. There is one interesting feature: that they were tortured or through some kind of blackmail forced to confess to being traitors.

The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.

I agree with Sophocles: the greatest luck is not to have been born - but, as the joke goes on, very few people succeed in it.

Word is murder of a thing, not only in the elementary sense of implying its absence - by naming a thing, we treat it as absent, as dead, although it is still present - but above all in the sense of its radical dissection: the word 'quarters' the thing, it tears it out of the embedment in its concrete context, it treats its component parts as entities with an autonomous existence: we speak about color, form, shape, etc., as if they possessed self-sufficient being.