When I was nine years old, I wrote a short story called 'How to Build a Snowman,' from which no practical snowperson-crafting techniques could be gleaned. The story was an assignment for class and it featured a series of careful but meaningless instructions. Of course, the building of the snowman was a red herring.

When you spin a globe and point to a city and actually go to that city, you build an allowance of missed opportunities on the back end.

What annoyed me was that I so often attempted to weasel out of things on purpose, it killed me to do it by accident. It seemed like a waste of whatever detailed lie I was going to have to come up with.

In my lame pescetarian defense, it's very hard to be a girl and say you won't eat something. Refuse one plate of bacon-wrapped pork rinds and you're anorexic. Accept them and you're on the Atkins. Excuse yourself to go to the bathroom and you're bulimic. Best to keep perfectly still and bring an IV of fluids with you to dinner.

Some of the writers I admire who seem very, very funny and very emotional to me can develop a closeness with the reader without giving too much of themselves away. Lorrie Moore comes to mind, as does David Sedaris. When they write, the reader thinks that they're being trusted as a friend.

Life starts out with everyone clapping when you take a poo and goes downhill from there.

The Queen of Crafts herself, Martha Stewart, and I have the same birthday. I prefer to think it's the glue-gun wielding, perfect-tart-producing Martha and not the copper pan-throwing, jail-going Martha. But I suppose if I am going to share a calendar square with some of Martha, I have to share it with all of Martha.