It is my belief that people who speak of high school with a sugary fondness are bluffing away early-onset Alzheimer's.

I think the goal with any writing, but especially narrative nonfiction, is to put the blockade of putting your thoughts in this unnatural medium of print and then trying to reach through that and actually convey what's going on, what you think, and make people laugh and recognize themselves while doing it. Definitely the laughing thing.

Normally, I am a vocal advocate for 'looking both ways' and 'knowing the size of one's own body.' But working, socialising and simply running errands in Manhattan, means I am bound to break my own rules on occasion.

I don't understand how you can be a decent writer and not know people.

I wanted to be an archaeologist. But in school you have to take a tremendous amount of statistics for that, and I am not good at statistics. So I hit a real wall with archaeology. It's probably like wanting to be an architect - you think it's all fun and games, and then you have to get out a calculator and you're done.

For me, titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try, they can be really hard to repair. Or, worse, if the author thinks they pop out perfect, but the publishing house does not agree, it's difficult to shift gears. And then? Then you go insane.

I definitely rediscovered reading for pleasure by devoting such a large swath of my time to sitting on airplanes. I am now painfully adept at removing my shoes so as to have the least amount of foot surface area touching an airport floor.