I try to always be open to what the actors want to try. I don't storyboard and try to be intuitive and open on the day of filming.

It’s about misunderstandings between people and places, being disconnected and looking for moments of connection. There are so many moments in life when people don’t say what they mean, when they are just missing each other, waiting to run into each other in a hallway.

Having a kid, it makes you slow down; when you're walking with a toddler to pick up a leaf it can take a half hour. You've never spent that time looking at a leaf before, having that kind of interaction. So I think it does make you change the way you look things.

It seems that the greatest difficulty is to find the end. Don't try to find it, it's there already.

Thats the way I work: I try to imagine what I would like to see.

It bugs me when they have people my age [28] playing teenagers.

I wanted to make a love story without being nerdy.